figure drawings
A woman hugs one knee toward her shoulder, resting her head atop of it and gripping her ankle with her hands. The other leg is nestled beneath her. Her hair is curly and she is wearing a necklace. Made with pen and watercolor.
A woman is sitting with her legs together, leaning back onto her hand. Her other hand rests on her opposite shoulder. Her wavy hair falls down her back and she looks down. Made with pen and water color.
A woman lies back, her gaze toward the ceiling. Her arms are splayed to her sides and her legs are bent. Made with blue pen and water.
A curly-haired woman is laying down facing away from the viewer, her back parallel to the bottom of the page. Her head rests atop her arm. Red and yellow tones of colored pencil depict the shadows and highlights of her body.
A woman floats on a seemingly invisible seat. One leg is pulled toward her chest while the other is extended in front of her. She looks to the side while her hair obscures her face. Blue lines of varying thickness outline her silhouette and she is wearing a large blue necklace.
A woman lies on her stomach, her chin perched on her fist and her feet float up towards the ceiling. She has curly hair. Her outline is filled in with different shades of blue watercolor.
A woman sits with her back towards the viewer. Her left leg is outstretched to her side and her left arm rests atop it. She has curly hair, and shades of gray watercolor add dimension to her body.
A woman lies atop a pallet that's covered in a blanket. Her arms support her neck, and one of her knees is bent to face the ceiling. The shadows of her body are depicted through purple watercolors, and the blanket she lies on is different shades of red and orange.
A woman is oriented on the left of this square-shaped page, kneeling and bending over her knees so that the back of her head and spine are visible to the viewer, almost like they see her from above. Her arms are outstretched in front of her. Purple swirling lines of colored pencil are contained by her loosely drawn black outline.
The silhouette of a woman, facing away from the viewer. She is drawn in red watercolor. Surrounding her are the words, "You can look but you can't touch."
A woman, centered on the page, kneels so that the viewer sees the side profile of her body. Her hair obscures her face and her hands rest on her knees. Her body is given dimension by gray watercolor.
Two torsos of women, cut off at the elbow and knee: the woman on the left is blue, and the one on the right is purple. The blue woman sits with one leg outstretched and the other bent. One of her elbows rests on the bent knee, and the other reaches behind her. The purple woman is oriented to the side, in a standing, striding position.
A woman leans back, her feet closer to the viewer, and head obscured by her reclining body. Her knees are bent in front of her, and her hands reach behind her to support her head. Her outline is loosely drawn in a dark indigo, and she is given dimension and shadow by a watercolor of a similar hue.
A woman sits on an imaginary chair, one foot tucked under her butt, the other bent and falling off the chair a bit. She sits upright, her hands resting on her knees. Her waving hair obscures her face. Shadows are depicted with a gray watercolor.
A woman squats, her breasts pressed on her knees and her arms hugged toward her chest. Her face looks past the viewer but no facial features are drawn on. Her hair falls down her back, and dimension is added through gray watercolor
Three rough sketches of a woman's body are spaced out on this page, all drawn in a red pen. The figure on the left sits with her legs crossed, the figure in the middle lies down on her side with one straight leg resting atop a bent one, and the figure on the right is kneeling into a lunge with one leg bent in front of her.
A loosely drawn woman inhabits the center of this page. She could be standing or lying down. She is cut off at the top of her head and her ankles, and dimension is added though gray watercolor.
Two torsos of a woman loosely drawn in purple, both without heads and cut off at the elbows and knees. The one of the left lies down with one arm outstretched next to her ear, and the one on the right seems to be standing with one arm out in front of her.
A woman leans back on an invisible surface, her arms grasping it and supporting her weight. Her face looks up but lacks facial features. Her legs are outstretched in front of her. Her body is loosely drawn by black pen, and the shadows of her body are depicted through shades of blue watercolor.
The figure of a woman from the waist up reclines back onto her elbows, facing away from the viewer. She is composed through a collection of red colored pencil lines. Her hair is pulled back in a bun on her neck.
A loose sketch of a woman sitting in the center of the page. It seems that multiple attempts were made at drawing her silhouette, all with different mediums. One is drawn in pencil, one in pink pastel, and one in a dark blue.
A woman reclines back onto an invisible surface, supporting herself with her elbow. She looks up and one arm rests on her hip. The leg that her arm rests upon is bent over the other, which is outstretched. Her outline is drawn in thick blue marker and shadows are depicted through a light blue watercolor.
A series of torsos and body parts pepper the page. One figure is lying down away from the viewer, one steps into a lunch, one reclines back, and there is the faint outline of a breast in top corner. All are drawn with a blue pen and blurred with watercolor.
A woman sits with her knees pulled to her chest and her hair falls down her back. Her arms wrap around her knees and she looks at the viewer, yet she lacks facial features. She is loosely drawn with blue pen and filled in with a blue watercolor.